UploadVR Between Realities podcast
FEBRUARY 3, 2017
2016 could be considered the official introduction of virtual reality to the world and many industries have either embraced the technology at varying levels or simply started paying attention to movements within the industry. Virtual Reality Evolution // February 16. Virtuality // February 24th – February 26th.
XROM
JULY 18, 2021
Most people know Xu due to his dispute with American virtual reality company Magic Leap. He is an Adjunct Professor/Visiting Faculty at number of institutions in Australia, Singapore & India. Chaitanya has had a multi-faceted career in the Indian Film & CreativeArtsIndustry for over 17 years. 9- Eddie Avil.
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ARPost
APRIL 14, 2022
We’ve been covering the company since they were an enterprise solution, reported on their pivot to an NFT-powered cultural events hub late last year, and most recently reported on their immersive film premiere and screening of the documentary “Gamestop: Rise of the Players.”. Exploring Digital Art.
ARPost
AUGUST 7, 2019
SINGAPORE, August 7, 2019 – Over the past decade, the development of the digital entertainment industry has mainly focused on gaming, animation, film, literature and music. Film and music have long been spread through TV, CDs and other such platforms. Press release.
RealVision VR
MAY 20, 2016
This is a day long masterclass with hand picked topics from a longer 3 day Think in 360 workshop done for production studios who need consultation during on-going VR film projects. of Abudhabi, and conducted workshops at polytechnics and Media training institutions in Singapore. It can be seen in the feature films section.
InstaVR
MAY 16, 2019
Then after directing two award-winning short films, he naturally turned to Multimedia, Web Design, Motion Design and UX Design. In 2004, he created the LONGUE-VUE agency, and worked with big companies such as RATP, Orange, the Château de Versailles… Since 2016, Antoine has been working with Manzalab to produce interactive 360° films.
The Ghost Howls
SEPTEMBER 22, 2022
Pixel density is what makes us see everything crisper, and if with the 773 PPI of the Quest 2 and Pico Neo 3 Link the screen door effect was already almost invisible, I think that with 1200, it will be impossible to see pixels at all, for a very immersive virtual reality. ” The new colourful interface of Pico OS 5.
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