ARPost
MAY 5, 2020
The last time that we checked in with Zappar a few months ago, they were working with Coca-Cola on the first large-scale WebAR experience in South Africa. In Canada, the social movement and hashtag #cavabienaller (in French that roughly translates to “It’s going to be okay.”) cavabienaller. is trending.
VRScout
JULY 25, 2023
Official team kits will also be available for Australia, Brazil, Canada, England, France, South Korea, Netherlands, New Zealand, Nigeria, Norway, Portugal and USA. Additional country kits are available in the Bitmoji Fan Gear section for China, Denmark, Ireland, Haiti, Morocco, Panama, South Africa, Switzerland, Vietnam, and Zambia.
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CraneMorley
SEPTEMBER 28, 2022
This year’s creative competition included companies from: Australia, Austria, Canada, Denmark, Germany, Hong Kong, India, Jamaica, Republic of Korea, Mexico, Pakistan, Puerto Rico, South Africa, Spain, Taiwan, Turkey, United Arab Emirates, United Kingdom, and the United States.
VRScout
FEBRUARY 15, 2018
Women and allies from Canada to Latvia to South Africa joined in on the festivities. This was all about accessibility— people could watch the 2D live stream on YouTube, join in via a mobile or desktop browser app, or put on a VR headset and step inside the virtual room. 8 She-EOs in a virtual pool.
Mashable VR
JUNE 1, 2022
For now, those will include Argentina, Australia, Belgium, Bulgaria, Canada, Ecuador, Greece, Guatemala, Ireland, Jamaica, Korea, Lithuania, Luxembourg, Malaysia, Malta, Mexico, the Netherlands, New Zealand, Romania, South Africa, Taiwan, Ukraine, the United Kingdom, the United Arab Emirates, and the United States.
The Ghost Howls
NOVEMBER 26, 2019
Who owns the Index will have the game for free (and for the occasion, the Index has been distributed to more countries, like Canada). South-Africa startup Eden Labs has created an interesting design for VR headsets needed in public installations to show 360 videos. Other relevant news. Oculus Link is here. I really can’t wait….
VRScout
DECEMBER 12, 2019
In 1935, Yonezo Okita left his home in Hiroshima, Japan for Canada. When Masello and Evan, two homeless black artist/activists, break into an abandoned mansion in an affluent part of Johannesburg, they proclaim their occupation to be an artistic and political act in defiance of inequalities in land ownership in South Africa.
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