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Experience The Art Of Burning Man In VR

VRScout

With Intel’s advanced data-processing on the Sansar Social VR platform, the Smithsonian has been able to accelerate the digital 3D capture, preservation, and distribution of artifacts in its collections, so that students, educators, and the broader public can virtually access and engage with the museum’s collections from anywhere in the world.

Education 291
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Creating Virtual Museum Experiences

Tech Trends VR

Anyone, anywhere in the world, either on a desktop computer or via Sansar, can now experience these artworks Click To Tweet. VR could actually give a sense of permanence to the essentially ephemeral art of Burning Man Click To Tweet. This article was originally published on VRScout. VRScout (@VRScout) July 30, 2018.

Trends 269
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Become the Virus in Zero Days VR: A Revolutionary Immersive Documentary

VRScout

I think for me that’s the biggest compliment a studio like ours could get, especially because we have this hybrid approach to volumetric filmmaking which is game-engine based plus the visual fidelity of photography and in-3D capturing, so I think that for me was coolest and most awesome thing you could say about our project.”.

Immersion 150
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A New Dimension in FilmmakingWhat is possible when filmmakers.

AllThingsVR

These three-dimensional cartographies cease to resemble maps on a page and begin to look more like virtual worlds from video games. This screen recording of Apple Maps — a program that comes bundled on every Mac computer — zooms in to see a 3D view the Lower Manhattan.

Apple 70
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SIGGRAPH 2017 In Los Angeles Showcases The Latest In VR and AR

UploadVR Between Realities podcast

This year Flock (video above) will expand upon some of the concepts of Holojam with a multi-user untethered virtual world “designed to get people to move, shake, and flock together.” Last year, the Synesthesia suit provided a hint at what full-body haptic feedback could feel like. AR Mail From Harbin.

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Volumetrically Capturing Authentic Digital Actors, with Metastage’s Christina Heller

XR for Business Podcast

Christina: One of the things that I’ve been saying is — part of the reason I’m really passionate about volumetric capture as a tool inside of the greater medium is — it’s the real person’s seat at the table. And when you watch something that was captured volumetrically, you know that it was captured live.

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Volumetrically Capturing Authentic Digital Actors, with Metastage’s Christina Heller

XR for Business Podcast

Christina: One of the things that I’ve been saying is — part of the reason I’m really passionate about volumetric capture as a tool inside of the greater medium is — it’s the real person’s seat at the table. And when you watch something that was captured volumetrically, you know that it was captured live.